When I show a product like a car or a pop box, is it a trademark or copyright violation? Question: Do product labels need to be contacted or is the simplest option unclear? Thank you very much! Desktop Documentaries: I am a filmmaker and not a lawyer. . Should I get paid for my memoirs when they are made for a documentary? Question: I wrote my memoir Gail Of Wind A Hard Walk Into Reality and it sells very well. Now a filmmaker wants to go to a documentary. To what extent can I have protected my documentary idea by copyright? Question: I have what I consider to be a very marketable documentary. How about the process of making my copyright idea too copyright? Law firm Jaia Thomas |. Options are often used in Hollywood and it`s much cheaper to choose a scenario than to buy it from the beginning. An option agreement is especially useful when a producer does not know if their financing will come out of it. This is basically a way to secure your bets if the funding doesn`t go as planned. In such a case, if you buy the rights to the property directly, you might be forced to buy a script that cannot be turned into a profitable film. On the other hand, with an option agreement, even if you do not guarantee the funding, you can simply remove the option and “reduce your losses” Can a documentary filmmaker distribute a film with me without my written consent? Question: I recently participated in the filming of a documentary.
In fact, I was the main subject. Throughout the process, filmmakers have one. We also provide some basic agreements to download – standard collaboration agreement, standard employment contract for hire, model authorization form, model form for personal release forms, model member contract, crew member model memo, model site contract – which can be used to anticipate and avoid certain legal problems. They are short, easy to understand and to be. We provide these forms with some reluctance, as the use of online forms is not an adequate substitute for the advice of an entertainment lawyer. But we also believe that with access to simple English information, some legal work can be done by filmmakers willing to spend the necessary time and energy. Factual information is not protected by copyright. This is not to say that there are no copyright theories to protect a documentary from an honest copy.
But there is no legal way to prevent a third party from using the same real facts and expressing those facts in another work. So one could keep the revelation of the story a secret, if possible until the documentary comes out, and continue making an excellent documentary that demands to be seen and not surpassed by segments of information or other content. . . .